When I was a kid, I loved playing the game of “Clue.” Piecing together the clues to decide if Miss Scarlett killed the victim with a candlestick in the conservatory was exhilarating.
And was there anything better than watching “Perry Mason,” “Matlock,” or “CSI?” I would settle in to watch these shows armed with a pen and pad, making notes of possible clues to help me solve the crime before the episode ended.
A few weeks ago, a writer friend and I were talking about writer’s block, something she’d been struggling with. When I said I never suffer from writer’s block, she raised an eyebrow.
I continued, sharing that my brain sort of takes over and directs my fingers across the keyboard, or guides the pen in my hand across a blank page.
“Can you give me an example?” she asked.
My response, then became my blog for this month …
While I don’t write mysteries per se, I do like to add a touch of mystery to my books. In my first novel, “Peril in Paradise,” I discovered that my writer’s brain had automatically planted clues about my crime and villain. In my series México Mayhem, the reader knows who the villain is from the beginning, but I still create a sense of mystery by adding perfect hidden gems to keep the reader guessing.
Two of my favorite additions were characters who weren’t meant to be in more than a couple of scenes. In “Peril in Paradise,” I created Billy Boyd, who becomes my villain Damian’s cellmate. I didn’t know when I created Billy, initially intending for him to add color to a few scenes with Damian, that he would become his own interesting character.
In “Malice in Mazatlan,” Alba’s only purpose was to paint a picture for the reader of how difficult my villain, Sarita Garcia, could be. But Alba ends up stealing a scene and becoming a perfect hidden gem.
As I reread the current WIP for my México Mayhem Series, “Vanished in Vallarta,” I realized I had added some hidden gems during the first draft that I could now use as clues for the Hero and Heroine as they try to tie a suspect to a murder. When I edited the Villain’s chapters, I discovered I’d done the same thing with her storyline.
Every time I find these intriguing nuggets, I’m in awe of how my brain has placed a little of this and a little of that in the right places of the storyline, which I can now turn into tantalizing tidbits for my readers. Another fabulous thing occurred, too. Without knowingly inserting this information, I created a storyline for my next book, “Lost in Loreto.”
In the first novel, “Redneck Ranch,” of my Stoneybrook Mysteries, I added stab wounds to my victim and placed her on the dirt floor of an old barn. But I didn’t know at the time the stab wounds would reveal Morse Code for a number or that the barn floor being void of blood would suggest a different crime scene for this victim.
I just finished a short story, “Jamboree Jealousy,” for an anthology, and when I did my read-through, I smiled at the hidden gems I’d already added to the story: A missing cowboy hat. A gold hoop earring. A few pages with lyrics for a song.
I hope there are many Hidden Gems in your lives these days!